Maintaining one foot in the past and another in the future, I call into question how we perceive art by tracing a loop historically through image, technology and science. I paint the splintered nature of humanity and reality in a post-technological society. My paintings begin not in the digital and not in the physical, but in the mix our minds make of the two.
These include the South Rose Window at Cathédrale Notre Dame de Paris, Andrea Palladio’s Villa Emo and Teatro Olimpico, a Stradivari violin, Thomas Jefferson’s Poplar Forest, Beatrix Farrand’s garden courtyard for the Oriental Institute at the University of Chicago, the illuminated Lindisfarne Gospels, a Louis Sullivan stencil for the Chicago Stock Exchange, and Eero Saarinen’s North Christian Church.
A highlight of the book are Fletcher’s original studies that analyze harmonious proportions in world-famous art, architecture, landscape design, and other compositions.
#HARMONY IN ART DESIGN PROFESSIONAL#
In Infinite Measure, Fletcher shares her professional knowledge and experience of geometry and proportion by offering practical techniques for design applications, including step-by-step elementary and advanced drawings for producing proportional schemes with a compass and rule commentaries on geometric symbols and useful theorems definitions and etymologies of essential mathematical terms. Taking pages from books of nature, art, and architecture, Fletcher provides visual designers of all art forms and disciplines with geometric methods for composing harmonious spaces and places. A creative workbook and an authoritative reference guide for teachers, students, and practitioners of design, including architecture, interior design, landscape architecture, painting, sculpture, the graphic arts, theater and stage design, and even musical instruments and crafts.
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